Saturday, October 6, 2007
The Muse of the Argentine
Rather, our dear muse is found sitting in the Plaza De Mayo, sipping maté with the mothers who protest for news of their sons and husbands that are part of the ¨desapareacidos¨ who the regime carried off into the night. I should have know to listen for her in the winds sweeping off the pampas, and in the songs of the guachos that fill the nights. Yet I was blinded by that which glitters, and the poisoned materialism that infects and corrupts.
Our Muse has been here for some time. She came with the poor immigrants who came with nothing and sought a better life across the seas: she helped paint La Boca´s corrugated iron houses with the bright paint that remained leftover from the long voyage. Our dear Muse filled the voice of Eva Duarte, and Evita sang and rallied for the decamisados, the shirtless poor workers who were plagued by inequality. She whispered to Borges, and he filled his pages with the graces this enigmatic city holds. She accompanied the young medical student named Ernesto as Ché ventured north, and witnessed the injustices that this continent holds.
She stood with the despareacidos, as the brutal junta took them from their families. More recently, the Muse banged pots and pans with those who rallied in the streets as the financial crisis stole from the people all that they had worked hard for. She remains here with those who are forced to pick through garbage every night to, trying collect enough scraps to earn their daily bread.
The Muse of the Argentine has been here, but I couldn´t hear her till now. But I have found her, and with a little luck, her mercurial glory will remain with me in this city of a thousand splendid spires.
The Muse of the Caribbean
Under the plum clouds that cling to, and roll off the majestic Blue Mountains, the Muse´s Caribbean Kingdom lies. Through the lush green jungle, her old pastel blue and white colonial abode is found. Wiry bombaclaat rasta sentinels with natty dreads and wood-handled machetes stand guard, but over a blessed peace offering, they let me pass to find our lady of the Caribbean, our Queen of the Muse.
Under banners of green, yellow and black tapestries, she sits on a bed of pillows. Her natty black dreads lay lightly on her dark shoulders, and she is wrapped in robes of rasta royalty. Her green eyes peer out through a plume of silver smoke, as she sips her june plum juice. With a natural mystic of reggae harmony flowing through the air, she sits in silence. She takes a deep breath, and sings out in a crisp voice the same music that filled the hearts of so many of this troubled island paradise.
It was the words the sang in the hearts of the Treelawny Maroons, as they escaped under a cover of darkness into the dense jungle, away from the British colonial slave masters. They were the words that Marcus Garvey proclaimed as he told his fallen people of their deep-rooted pride. They were the melodies, pure and true, that serenaded Robert Nesta, and that the saintly Bob Marley filled the Trenchtown ghettos. Her message is as simple as it is true: One Love, One Heart.
Sunday, May 13, 2007
Desert Kingdom of the Muse
The multitude of stars shine above, and feel as numerous as the sands below her. Her beduin guards sit next to her; their desert songs fill the air as they are carried by the night winds, and the beat of the coffee mortar supplies the simple rhythm.
Her camels' cargo is laden with ink and ideas, as her caravan makes its way slowly from oasis to oasis. She has no time for the cities being built in the sands; the Muse knows that the sands will one day retake them like so many other desert cities that were forgotten.
It was the Muse that filled the Nabateans with the radiant pink and peach dreams to carve their stone capital Petra, and then hid it behind a veil of sand for two millennia. She is the one who fills the pilgrims with perseverance as they trod on their long journey.
But take heed, my children, for the Princess of Fear holds a mighty empire here. From a desert fortress, she stares out over her vast terrain and her minion of followers. She poisons the minds with ignorance and arrogance. I hear her vile words pouring from the mouths of too many good people. Some days, it leaves me feeling so hollow to hear her plagued ideas brandished like swords, and I feel this sword cutting on both sides of the divide. It makes my heart hurt and fills me with anguish that I can hardly decribe.
The Princess of Fear helped cut down King Abdullah as he made his ways to his prayers, as his grandson and future regent Hussein stared on. She punished Anwar Sadat's courage with a hail of bullets. She is the one who stokes the fire of the mobs; she is the martyrs' false courage.
The Queen of the Muse and the Princess of Fear are locked in an eternal clash across these lands, and it is a battle I'm afraid the the Princess of Fear may have the upper hand. The Muse illuminates the desert with her knowledge, but I fear her sun is at its eclipse, and everything is becoming dark. But in the holiest of holy lands, hope springs forever eternal and will remain there to light even the darkest hour. From the pages of Leo Africanus, the Muse left a little note and a tidbit of truth that I will end on:
"When you were a child, didn't you speak out the truth that the oldest ones kept secret? Well, you were right then. You must find the time of innocence in yourself again, because that was also the time of courage."
Kingdom of the Princess of Fear
The Queen of the Muse whispered a warning in my ear, she said beware of the Princess of Fear. While I have written extensively on the Muse’s Kingdom, I have yet to address the Kingdom of the Princess of Fear. She too holds court. Born of the same mother as the Queen of the Muse, but a father that bore the mark of Cain, the Princess of Fear traded her soul for black power.
Her kingdom is found across the black rivers of poison. It is a dark land, without light or hope. In her fields, slaves toil picking bitter fruits and poison harvests. In her gardens wander the lost souls of intoxicated addicts, who lazily doze under weeping-willow trees. Her land is the paradise reached by the zealots and suicide bombers.
Past the winged-furies that fly overhead, and the armed guards with scimitars and damascene blades that stand on her gates and guard her palace, the Princess is down a long, deserted hall. She sits upright on a black granite throne. Her long black hair flows down her back, with a golden tiara bejeweled with blood diamonds sitting delicately on her head. Around her neck sits a necklace of nails, that drapes delicately over her collar. Her black kohl-stained green eyes pour over black-inked manuscripts of plots and ploys that will further her aims; she wages her clandestine war with her weaponry of vices.
The Princess of Fear reaps intolerance and sows hatred. She has much sway, and she silences the best while filling the worst with passionate zeal. She imbues the thieves with quickness and the cons with cunning. She makes men weak with jealousy, and fills their hearts with envy. I saw a glimpse of her in the eyes of two men coming to fisticuffs over a 5 rupee pen.
The Princess of Fear gave twisted biblical verse to the slave masters of the Confederacy. She is the creator of castes, the architect of apartheid. The patron saint of the assassin, she led John Wilkes Booth through the dark theater, and roared with him “Sic semper tyranis.” She enlisted Gavarillo Princip and the Black Hand to plunge Europe into generations of chaos. The evil princess sent Nathuram Godse to silence Gandhi, then laughed as bloodshed racked partition. She sat in the book depository and steadied Oswald’s aim. She gave James Earl Ray cover in the shrubs, then stoked the flaming ghettos after her handiwork was carried out. It was her dark yeshiva in which Yigal Amir was a student, and with him she crushed Oslo. The Princess of Fear and her dark kingdom are found in the hearts of all men.
But the Queen of the Muse watches out for those who will hear her warnings. Far away, in a distant land, the Queen of the Muse sits below rounded marble domes. On the cool marble floor, she sits in peace. With henna decorating the palms of her hands, and wrapping up her arms. Beeswax reddens her lips, and black kohl lines her eye, as she stares out into the distance. A vermilion tikka adorns her forehead, while jewels and gems adorn her face and body. Sparkling diamond earrings, a golden nose ring and anklets of silver to announce her presence. She is wrapped in the softest purple silk. On the walls, the simple words of warning are inscribed in black calligraphy:
Guard your thoughts, they become your words
Guard your words, they become your actions
Guard your actions, they become your habits
Guard your habits, they become your character
Guard your character, it becomes your destiny
The Muse's Indian Kingdom
-Oh Brother, Where Art Thou?
After only three days, I have found our dear Muse's Indian Kingdom. Her kingdom sits on the other side of the pilgrim's river. Fields of spices and fragrant gardens of tea greet the wary traveler, as Bengal tigers sleep under the cool shade of the banyan trees. Approaching her palace, the white marble meringue towers sit above the hills, like a palace of heaven. The ribbed golden dome of her palace reflects the radiance that lights the skies, and the edifice reflects in diametric perfection in the moat that surrounds it. Yellow-turbaned guards with long white beards and long silver swords with jewel-encrusted handles stand watch at her gates, but over masala chai agree to let me enter her palace.
The palace is a maze of columns made of marble. Carved statues of Vishnu, Ganesh and Shiva gaze down from the ceiling and beckon me forward, as peacocks of purple plumage wander around the halls. White lotus flowers and purple bougainvillea wrap around the open windows, and shied me from the intense Indian sun.
Upon entry, the Muse is found, wrapped in a purple sari- embroidered in gold-trimmed lotuses. In the land of Gandhi, the Muse takes no throne, but rather sits cross-legged on the floor. Her long, black locks sit braided over her right shoulder, as she stares out with her kashmiri blue eyes. Above her eyes sits an emerald encrusted in diamonds, as a delicate ruby lined with gold adorns her delicate nose. She just patiently sits over her delicate canvases of Sanskirt. Written in Kali's red ink, with Ganesh's ivory tusk, she reads out the words the will imbue those willing to listen with ideas of wisdom that are far richer than the jewels that encrust her radiant tiara.
Whispered in the ears of the lower castes, she brings solace to those sleeping on the streets. She convinced Agnes Gonxha Bojaxhiu to give up her nun habits for a blue and white sari, and Mother Theresa took on the burdens of caring for Calcutta's destitute. She walked with Gandhi to the sea, as he carried out his salt march against the British. She cheered for India's hard-fought independence, but cried as the cleavages, wars and dispossession that followed; she still bears those scars today. More recently, our dear Muse gave Salman Rushdie the courage to write her words, and strength to bear the consequences.
The Muse's Indian kingdom is one of a vast array of colors, and an overload of the senses. As the long, hot Indian day fades into the purple night, the Muse merely sits with an enigmatic smile on her face as I fight to understand her blessed kingdom.
Saturday, April 21, 2007
Middle Kingdom of the Muse
Sail over rivers of red ink and past lakes of mercury, and you can reach her jade palace. It rests on the back of an elephant, with spires that reach the sky. From each level, there are silk flags that proclaim her mercurial glory.
Cross the gardens of pearls, and the lapis bridges that walk you over the ponds of quicksilver and her throne may be found. The throne room is made of gold filigree, and the Empress Muse sits upon a mother-of-pearl and mahogany throne.
She is clothed in purple silk, holding a jewel-encrusted scepter of a brush. She spends her days writing calligraphic ideas to implant in the minds of those who will listen. She whispered in the ears of the Boxers, to convince them of their invincibility against Western weapons. She convinced Dr. Sun Yat Sen of his higher purpose than medicine. The Muse walked with Mao on his Long March across the hinterlands of the Middle Kingdom. She has lately switched her allegiance, as she stood behind the students of Tiananmen, telling them not to fear the tanks rolling in.
Our sweet Muse whispers her dulcet words to me, and tells me that it is time to leave the red dragon nation. I leave with more questions than answers, but with something more precious than Marco Polo's spices and jewels. Her gift is ideas.
African Kingdom of the Muse
They don't know it, but I can see it. Their blood is my ink. Their faces are lined with both joy and pain. I see her work on the cave walls. She came to them in their dreams and visions.
The Queen of the Muse kept Mandela alive in his solitary cell. She filled his lonely walls with words of hope. She did the same for Gandhi, feeding him with diction as he carried on his hunger strikes. She whispered her sweet dulcet words in Dr. King's ear.
Her evil twin sister, the Princess of Fear is rife here. She filled the minds and hearts of Mandela's captors. She is strong here. Yet our beloved sovereign, the Queen of the Muse is also the empress of ideas and she reins high over the lucid rivers of ink; her kingdom is stronger.
Kingdom of the Muse
She offers me cathartic relief from the thoughts that burden my shoulders. She is therapy for the plague of ideas. Yet she is still so difficult to hold onto. Her angelic splendor is mercurial. The more I try to hold onto her tightly, the more she slips free from my clutches. Her wings fly her off my page and into infinite oblivion.
I stand at the gates, peering into the Muse’s kingdom. Yet her gates remain locked to me. Tolstoy and Dostoevsky stand guard silently as two sentinels at her gates. On the other side, I see Hemingway fishing in a pond of letters. Joyce and his companion Kafka stumble around drunk on lexis and absinthe. Sitting in solitude outside the Muse’s gates, Garcia Marquez sips his glass of choleric ink and waits patiently for his turn to enter.
I offer myself as a humble follower of her divine craft, so that this priestess may open the gates to her printed temple. From high above, the Muse sits as an empress on her high throne of ballpoints, covered in the splendor of robes fashioned by purple quills. With an enigmatic smile on her face, she counsels me to be patient. Her divine secrets are revealed only to those who are ready to bear the weight of inscription. Until that day, this wordsmith is left wrapped in the solitude of blank whites pages.